Besides the long gun fight and aerial skirmish this feels the closest to Dr. No out of all the Sean Connery 007 films. It has a bit less sophistication, but still a great Bond feel.

A reasonably good kids movie - with a few humorous moments and passable acting.

One of the slowest Bond films, with an ending that seems more like an underwater western.

The first film where Bond is the modern action hero - with the assistance of flashy gadgets from Q.

Much more cliche than Dr. No, with a gratuitous catfight. Bond starts getting some small gadgets from Q.

It's fun to see Bond as an agent, before all the gadgets. Sean Connery is the best Bond, and the locations in this film are great. Eunice Gayson isn't good, and the car chase is crude but expected for a film this old.

Part foreign with subtitles. Definitely a fun action movie. A better plot than Largo Winch, and much more polished. Sharon Stone isn't great, but she does a passable job.

Part foreign with subtitles. A solid, but not great, action film. The plot is decent and the acting is good. There are a few scenes where the characters inexplicably switch languages during a conversation, but that's the only real flaw.

Slow, but not in a particularly suspenseful way. Luckily this has a good cast, otherwise it probably would have been unwatchably bad. There are also a few scenes that could have been cut while still maintaining the same story.

Decent story, and Leslie Bibb is perfect for this quirky role. She plays a great innocent wide-eyed serial killer, and the rest of the cast is reasonably good too.

A reasonably good violent action flick. There's enough of a plot to keep the movie going, and the acting is passable but not good.

Foreign with subtitles. It was a bit unbalanced - everything was calm until the last few minutes when the entire cast went crazy. All the fallout from the incident is revealed in text at the end of the film, rather than actually showing the events

Marketed as a guys comedy, but the sexual content and ending pander almost completely to women. A very strange mix, seemed like a script written by a man then revised and edited by a woman.

Nina and Rachel have abilities that are disproportionately more useful than Bill or Gary, and more interesting characters as well. The supporting cast is good, the plot can be disappointingly obvious but could develop to be more interesting.

A star-filled indie with a similar feel to Women in Trouble, but an immensely better plot. The scenes with Carla Gugino or Amber Valletta are great - which is much of the film - the other bits had too much narration or other flaws.